Exercise for practicing both passing tones and picking technique.

Vintage rock playing - warm and fat tones.

Change your approach to soloing and start treating each new chord as a new tonality

In a Jazz funk context, we gonna see how John Scofield blends the Pentatonic/Blues scale, the Mixolydian mode, the Diminished scale for outside playing and other concepts such as chromaticism/passing tones.

Let's learn some Charlie Parker / Bebop licks over a II V I progression in the key of Bb Major.

Using mostly only "neighbour" notes - no no weird scales or anything like that. For example, to play note A we add note G# before, or Bb, depending of situation.

Using common notes between two chords belonging to different scales to allow a smooth passing between them when improvising in the blues and dorian modes.

A beginner solo in the style of Megadeth mainman Dave Mustaine

Melodic solutions for II - V - I chord progressions.